|View of Gamboa de Baixo, a neighborhood in the Brazilian city of Salvador, Bahia, which is known for its Afro-Brazilian culture and street carnival. It is also known as Brazil's "capital of happiness."|
BY KEISHA-KHAN Y. PERRY
Assistant professor of Africana studies at Brown University
|Gamboa de Baixo is a neighborhood|
in the northeastern Brazilian city
of Salvador, Bahia.
Just a week after the publication of the book, on the last Sunday of October 2013, the popular television program Band Comunidade featured Gamboa de Baixo in its weekly series on peripheral neighborhoods in Salvador. A Bahian journalist for the widely read blog O sistema é bruto and recently elected federal representative, the host Uziel Bueno (referred to as just Uziel) took viewers on a tour of Gamboa accompanied by activists from the neighborhood and fishermen and fisherwomen’s associations. Unlike most television and newspaper reports on the neighborhood, which tend to focus on live military police raids (literally as they are taking place) or the aftermath of local violence, Uziel made a concerted effort to show positive aspects of the poor black seaside community. Seemingly misplaced between the high-rise mansions of the elite neighborhoods of Campo Grande and Vítoria, Gamboa is a community widely misunderstood and unfairly discriminated against, Uziel exclaims throughout the video report. Forcibly relocating "nosso povo" ("our people") to the distant periphery of Salvador away from the beach and their small, brightly painted fishing boats is unjustified. He highlights local fishermen like Bebê, who states poignantly that “the discrimination is the result of people not knowing [the place or the people],” and bar owner Mônica, who invites the public to visit this “paradise in Salvador which should be valorized and respected because a lot of good people live here.”
|View of the Bay of All Saints from inside the Gamboa de Baixo|
With microphone in hand, Uziel prompts local residents to repeat the network’s popular phrase that references the everyday struggle of the urban poor: “O sistema é bruto (the system is brutal).” More residents greet the camera with phases like “This is a black fishing community,” “We are workers in the city, fishermen and fisherwomen,” “We will fight will all our might to stay in this place,” and “We will not leave from here.” One 70-year-old woman tells Uziel she is a “native Gamboan” who has lived there since birth and that she cannot see herself living anywhere else: “People are born here and only leave here when they die.” The most powerful interview in the report is that of 100-year-old retired washerwoman Dona Rosa, who has lived in the Gamboa neighborhood, inside the actual ruins of the São Paulo da Gamboa fort, for more than fifty years. Uziel names Rosa an example of the “gente guerreira” (warrior people) featured each week on the show, and when he asks her, “If they remove you from here, you’re going to feel extremely bad, right?” she laughs and responds without hesitation, “They can’t, they can’t.”
Media events such as this represent an opportunity for Gamboa residents to bring attention to an ongoing fight against forced land eviction. These are some of the same fighting words that I had heard repeated by local warriors over a decade, on their doorsteps, in their boats, or in street protests. As discrimination continues against Gamboa residents, local activists require that any activity or tour in the neighborhood must have a political component in order to "show another struggle, another reality." From the elderly Rosa to the diver Denise, the television report rightfully depicts a community with a collective understanding that they are always engaged in a struggle against the negative representations of marginality and violence. It is evident that local activists such as Ana Cristina, Itana and Nice are deeply involved in the production of the video, aimed at illustrating a vibrant artistic and aquatics culture as well as commercial fishing economy. Ana Cristina points out that in the São Paulo da Gamboa fort later that evening, as is now a weekly Sunday tradition sponsored by the Muda Gamboa (Change Gamboa) Project, residents are preparing for a pagode (a celebration with unique Bahian samba music). Although television shows that feature poor black neighborhoods have only fueled negative public opinions, Ana Cristina states, “It was a positive experience for us right now as the struggle is about to heat up.”
In chapter two of Black Women against the Land Grab, I write:
“While many writers have portrayed Salvador as a happy and naturally beautiful city in the African diaspora, urbanization reveals that it also is a city saddened by disparities in wealth, the intrinsic segregationist policies that govern the region, and the racialized and gendered implications of social and economic development. Salvador is a city of contrasts: ‘The city of Bahia is unequal and contradictory. Happy and sad, rich, poor, and miserable. Beautiful and ugly’ (Serra 2002, 25)” (35).
Via Nautica is a redevelopment plan that Gamboa residents have been fighting since the mid-1990s. It has become even more urgent for urban planners preparing the city for the World Cup and the Olympic Games. I unpack this logic of spatial exclusion in the book, and detail how corrupt and violent state policing and social abandonment have led to negative media representations that have solidified public opinion in support of forced relocation of poor blacks from Salvador’s coveted coastal lands.
|Local activist Ana Cristina assists Perry with mapping inside|
the São Paulo da Gamboa fort for the book.
It is clear to me how urgent discussions on violent land evictions in black communities still are. (Although I write about the black urban land rights struggle in Salvador and Brazil generally, most of the book focuses on Gamboa de Baixo's resistance against forced expulsion from coastal lands.) The national and international media have focused heavily on protests in Rio de Janeiro against the demolitions of houses and relocation of residents to the city’s distant periphery. As the history of Gamboa de Baixo and the general exclusionary nature of urbanization in the city of Salvador have shown, preparations for the upcoming international sports events to create a modern international city began decades ago, and blacks and poor people carry the burden. This is evident in other neighborhoods such as the world heritage site Pelourinho. African-descendant culture is the face of Bahian and Brazilian culture (religion, capoeira, artisan goods), but black people do not belong in these revitalized spaces. However, as Ana Cristina says, black and poor people who have traditionally occupied coastal lands are not fighting against development; they are fighting for development that includes them as active participants in the process. Moreover, Gamboa de Baixo residents are not surprised that once again they have been targeted for forced removal, and, they warn, nor should the government be surprised that they are prepared to fight until they die.
A luta continua. The struggle continues.
Black Women against the Land Grab: The Fight for Racial Justice in Brazil. She is assistant professor of Africana studies at Brown University.
"In a bold intervention from the tendency to ignore women’s participation in struggles for land rights and access to basic resources, Keisha-Khan Y. Perry paints women as the categorical leaders in resisting ‘development’ plans that amount to expelling poor, black communities from their historical homes. Her long-term involvement with the Gamboa de Baixo community in Salvador da Bahia, Brazil, and unabashed advocacy for their cause, results in an electrifying ethnography that showcases the wry humor and perceptive analyses of grassroot community activists."
—Sarah Hautzinger, author of Violence in the City of Women: Police and Batterers in Bahia, Brazil